One was As She Climbed Across the Table,
which vindicated Jonathan Lethem completely
after the disappointment that was Amnesia Moon. I'm almost
ashamed that I ever found fault. This short novel has just about everything one
wants in a Lethem book. It has a fanciful premise: a woman falls in love with a
incorporeal area of null space. It has quirky wit (such as when the narrator
muses, "Do you think there are bootleg tapes of Muzak outtakes? Maybe they
get excited by the groove and really cut loose sometimes. And the producer
says, okay, boys, that was swell but now let's try to get this wrapped up so we
can all go home. I'll bet that happens all the time."). It has outlandish
character names (Carmo Braxia, Georges De Tooth, Gavin Flapcloth). And it has
emotional sincerity that never devolves into gross sentimentality. Yes, I was
pleased.
Neal Stephenson wrote Zodiac, a
so-called eco-thriller, just a few years before Snow Crash,
his prescient novel about VR and the future of the Internet. Snow
Crash and William Gibson's Johnny Mnemonic were
hugely influential on my growth as a geek, so reading pre-Snow Crash
Stephenson risked tainting my opinion. Zodiac has action
aplenty, accented by Stephenson's sarcastic wit. But it did pale in comparison
to Snow Crash. To be fair, Zodiac, a
316-page novel, took me almost all May to read. I clearly couldn't give it my
usual close attention. Even so, a couple of editorial gaffes — extra spaces, a misspelled name, and other such relatively minor
typos — leapt off the page at me. This is what happens
when you're polishing your own manuscript while trying to read for pleasure. I
don't recommend it. It's why I read nothing else this spring. There was other demanding business in my life, which, combined with finishing my
novel, demanded maximum focus.
Ich gratuliere
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