Compelling evidence for the argument that it's less what
you say than how you say it, The Corrections could be
summarized: "a novel about a dysfunctional white Midwestern family."
That'd be an awfully poor description for a novel so masterfully written.
Jonathan Franzen's saga of a fractious
family of five captivates with its language, titivates with its story, and
infuriates with its characters' passive-aggression toward one another, putting
other, more plot-driven titles to shame. The Corrections is recommended
reading for anyone intimately familiar with the hypocrisies of people who place
extraordinary emphasis on looking "normal" and being
"nice."
Purity: A Novel, Franzen's more recent book, portrays more messed-up
family relationships, this time against a backdrop of what seemed to be
low-intensity suspense. I say "seems" because I might be wrong. See,
I set that book aside after two chapters, unable to get into it at all.
Then I picked up Donna Tartt's The
Secret History and was instantly swept up in its tale of tension: a
college murder and the paranoia and double-crossing that its privileged young
perpetrators fall into after doing the heinous deed. Narrated with great
erudition by one haunted participant, the story's effect is bewitching. Tartt
won a Pulitzer Prize for her novel The Goldfinch. Just in reading The
Secret History, her debut novel, I can see why. This book held me in
thrall. I read its last 150 pages in one go, and at the end exhaled, suddenly
conscious of having held my breath for who knows how long.
Between 1966 and 1995, the venerable Buddhist monk Nyanaponika Thera, the
German Buddhist Hellmuth Hecker, and the monk Bodhi Bikkhu wrote a series of
profiles of the Buddha's disciples. Their primary source was the Pali canon,
the largest collection of religious texts on earth. They also studied an
ancient collection of stories known as the Jatakas, and several millennia-old
Buddhist commentaries. Bodhi later compiled them as the book Great
Disciples of the Buddha: Their Lives, Their Works, Their Legacy, which
my friend (and new boss at work) Luke loaned me. You might expect that, with
that title, the book would be cover-to-cover mythic exploits. And sure, there
are flying monks, a man morphing into a woman (and back), and a woman so pious
that not even boiling oil can harm her. These are, however, mostly human
stories that give life and color to the pale, static mental picture of ancient
India most of us probably have.
Manufacturing Consent: The Political Economy of the Mass Media,
by Edward S. Herman and Noam Chomsky, might sound like about the driest damn
thing a guy could read, but I find propaganda – the systematic creation and
distribution of half-truths and untruths favorable to government interests –
fascinating. Using as examples the news coverage of such twentieth-century
travesties as Vietnam War atrocities, Salvadoran "free" elections,
and Cambodian genocide, the authors break down how media coverage gets slanted,
spun, and outright silenced in service to the powers that be. Although Herman
and Chomsky wrote Manufacturing Consent before the Internet's democratizing effects changed the mediascape, the propaganda techniques that
these scholars detail have actually spread and intensified. The book could
actually be more relevant today than ever. Thank you, Elyse M., for this enlightening read!
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